電影神游天地

神游天地

誓不低頭 / Keep Your Right Up

影片信息

  • 片名:神游天地
  • 狀態(tài):HD
  • 主演:簡·伯金/多米尼克·拉馮納特/寶麗娜·拉芳/
  • 導演:讓-呂克·戈達爾/
  • 年份:1987
  • 地區(qū):法國/
  • 類型:劇情/喜劇/奇幻/
  • 時長:內(nèi)詳
  • 上映:1987-12-30
  • 語言:法語
  • 更新:2026-02-28 23:02
  • 簡介:  故事分成三個章節(jié):主要的章節(jié)由高達親自飾演導演,正要趕乘飛機,在24小時內(nèi)把一部電影的菲林交給監(jiān)製;同時一隊二人流行電子音樂組合,不斷排練歌曲,最後在路上表演;另一邊廂,愚笨的大肥佬捲入一宗事件,被神秘女人密切監(jiān)視,最後更被拘捕。三段故事看似毫無關(guān)連,實際是高達以電影來討論電影製作和藝術(shù)創(chuàng)作的重要。片名看似帶有弦外之音,就像高達暗示,假如監(jiān)製或其他人要干擾導演的藝術(shù)創(chuàng)作,就索性我行我素,忠於自己的道路好了。這大概亦示範了高達如何純熟地運用電影媒體來做評論?!  film in three chapters: Godard plays the director in the main chapter rushing to catch a plane to pass the negatives to his producer within 24 hours an electronic duo keeps rehearsing for their roadshow a clumsy fat man gets involved in an incident and is arrested after being watched by a mysterious woman. Seemingly unrelated events Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.
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劇情簡介

  故事分成三個章節(jié):主要的章節(jié)由高達親自飾演導演,正要趕乘飛機,在24小時內(nèi)把一部電影的菲林交給監(jiān)製;同時一隊二人流行電子音樂組合,不斷排練歌曲,最後在路上表演;另一邊廂,愚笨的大肥佬捲入一宗事件,被神秘女人密切監(jiān)視,最後更被拘捕。三段故事看似毫無關(guān)連,實際是高達以電影來討論電影製作和藝術(shù)創(chuàng)作的重要。片名看似帶有弦外之音,就像高達暗示,假如監(jiān)製或其他人要干擾導演的藝術(shù)創(chuàng)作,就索性我行我素,忠於自己的道路好了。這大概亦示範了高達如何純熟地運用電影媒體來做評論?!  film in three chapters: Godard plays the director in the main chapter rushing to catch a plane to pass the negatives to his producer within 24 hours an electronic duo keeps rehearsing for their roadshow a clumsy fat man gets involved in an incident and is arrested after being watched by a mysterious woman. Seemingly unrelated events Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.

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